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Garland-Houston twists up his face at the idea of his sister and another woman.
That Whitney grew up in a deeply homophobic milieu and also had to keep secret her relationship with a woman who, the documentary must admit, cared for her well, is very sad.
She was powdered in pink eyeshadow, touted as the happy child of happy parents, and trained to smile wide onscreen. It is straightforward about her drug abuse, and about the control exerted over her by her family and production team.
Cissy Houston reminds her daughter that she has a gift from God that Abdul will never have, and the young woman snuggles into her mom’s arms. Her brothers recall that they and Houston did drugs starting around the age of 10.
“She can beat any guy there is.” For her part, the only time Crawford has spoken publicly of Houston was in an obituary for Esquire.
It is 1990, and Whitney Houston is in a hotel room with her mother.
She is in her twenties, a sprightly pop star with lungs of gold.
Old colleagues of her producer, Clive Davis, recall that he deliberately marketed her to white listeners.
Most controversially, perhaps, the movie confirms that Houston was romantically involved with Robyn Crawford, her “best friend,” a relationship that was discouraged by her homophobic family and production team while it lasted and hushed up after it was over.